Tag Archives: Images & Sound

It’s in the Can!

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Sigh… the road to hell is paved with good intentions about keeping this blog up-to-date… c’est la vie.

In news since December (date of my last post)

1. Eddie and I parted ways and the music was brilliantly done by Rhombus. They brought real creativity to the job and also an incredibly diligent, reliable and professional work ethic – thanks guys!

2. Lisa Chappell came in and post-synched some dialogue and recorded the vocals of our Paul Kelly song, Be careful what you pray for. Despite being knackered from a full-on theatre show (The Importance of Being Earnest) in which she played a leading role.

3. Matt Aickin, working out of Ant Nevison’s sound studio, did a truly awesome job of the sound design and sound mix. The whole project has been given a huge lift with the addition of music and sound FX, including foley, room background noise, etc, etc.

4. The titles and opening credits were finalised. Big ups to Brenton Cumberpatch for his work. Simple, but very effective titles!

5. The colour grade was done, tweaked, and tweaked again. Thanks to the invaulable input from Dan Wagner, DP, and of course to Paul Lear, the fantastic colourist working out of Images. Again, the often subtle work he did with colour, contrast, light, etc all added up. Taken together it really adds to the emotional impact of the film.

6. Having submitted ‘Be Careful…’ as a work-in-progress, I’ve officially missed out on being selected by the film festivals in Cannes, Edinburgh and London. (Including the Director’s Fortnight and the Critics Week in Cannes.) But I’ve been keeping busy stuffing envelopes and courier packs. I’m waiting to hear back from:

– Melbourne

– Dances with Films

– Palm Springs Short Film Fest

– DC Shorts

– The New Zealand International Film Fest (including the ‘Homegrown’ selections)

– Sidewalk Moving Picture Fest (Birmingham, Alabama)

– Hawaii International Film Fest

– Hollywood Film Fest

– St Louis International Film Fest

And will submit to more when I’ve run-off more of the locked-off copies of the film. Keeping fingers and toes crossed! 🙂

Next step is to lock down a date and venue for the cast, crew & friends screening!

Another overdue update

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Guess it’s ‘cuz of the busy time of year, but I’ve been spectacularly remiss with these updates.

In a nutshell:

1. Got the pick-up shot re-shot that I needed. It’s the opneing shot of a child (or is it…?) drawing a picture while the lead character speaks in V/O. Nic, the editor, felt it didn’t quite work as shot, and given it’s the very first image we see, we thought we’d have anoter crack at it. Big ups to Daryl Habraken and Peter Simpson who shot it and provided the RED camera respectively. Thanks, too, to Auckland University (whose camera it was, and whose studio and lights we used).

2. Got the drive back to the editor to do the final off-line pass with the new shot.

3. Eddie’s now got a music-free version of the cut so he can start putting some music on it – including some composed by our female lead, Lisa Chappell. Can’t wait to hear how it sounds!

4. Have locked-in our on-line edit facility: Images & Sound where we’ll be doing our grade, credits, etc. I’m really hoping to get in there before Xmas, but failing that, it’ll be first thing in the New Year.

Oh, and who knew credits took so long to finalise! 🙂