Sales and distribution guru, Stacey Parks, of Film Specific will be representing The Last Resort at the European Film Market in Berlin later this month (February 5 – 13). Stacey has recently come on board the “unconventional rom-com” as Executive Producer, joining Australian co-producer, Lindy Taylor. Stacey brings many years of international sales and distribution expertise to the project and her involvement has already opened doors which are paying dividends. Lindy has many years of production and development experience in Australia and the UK. We’re very excited to have them both on board. We’re looking forward to making an announcement very soon about an Australian executive producer who’ll be joining our growing team. (For those with an IMDbPro subscription, you can also follow the project’s progress on IMBd Pro)
Tag Archives: Film Festivals
While rejections from film festivals are always something of a kick in the guts, it’s gratifying to continue to get awesome feedback on the quality of the film.
This, a handwritten note from Kyle McKinnon, Lead Programmer for the Alabama Sidewalk Moving Picture Festival:
“This is a strong film with a very clever twist ending. Thank you for sending it our way.”
And remember: Keep an eye on the blog next week for an exciting film festival announcement… 🙂
Sigh… the road to hell is paved with good intentions about keeping this blog up-to-date… c’est la vie.
In news since December (date of my last post)
1. Eddie and I parted ways and the music was brilliantly done by Rhombus. They brought real creativity to the job and also an incredibly diligent, reliable and professional work ethic – thanks guys!
2. Lisa Chappell came in and post-synched some dialogue and recorded the vocals of our Paul Kelly song, Be careful what you pray for. Despite being knackered from a full-on theatre show (The Importance of Being Earnest) in which she played a leading role.
3. Matt Aickin, working out of Ant Nevison’s sound studio, did a truly awesome job of the sound design and sound mix. The whole project has been given a huge lift with the addition of music and sound FX, including foley, room background noise, etc, etc.
4. The titles and opening credits were finalised. Big ups to Brenton Cumberpatch for his work. Simple, but very effective titles!
5. The colour grade was done, tweaked, and tweaked again. Thanks to the invaulable input from Dan Wagner, DP, and of course to Paul Lear, the fantastic colourist working out of Images. Again, the often subtle work he did with colour, contrast, light, etc all added up. Taken together it really adds to the emotional impact of the film.
6. Having submitted ‘Be Careful…’ as a work-in-progress, I’ve officially missed out on being selected by the film festivals in Cannes, Edinburgh and London. (Including the Director’s Fortnight and the Critics Week in Cannes.) But I’ve been keeping busy stuffing envelopes and courier packs. I’m waiting to hear back from:
– Dances with Films
– Palm Springs Short Film Fest
– DC Shorts
– The New Zealand International Film Fest (including the ‘Homegrown’ selections)
– Sidewalk Moving Picture Fest (Birmingham, Alabama)
– Hawaii International Film Fest
– Hollywood Film Fest
– St Louis International Film Fest
And will submit to more when I’ve run-off more of the locked-off copies of the film. Keeping fingers and toes crossed! 🙂
Next step is to lock down a date and venue for the cast, crew & friends screening!